Einträge zu dem Titel "Landkino im Nationalsozialismus / Zimmermann, Clemens (2001)":

[Allegro-Code Code Beschreibung] Inhalt
[00 Identifikationsnummer[+BandNr[+TeilNr[+...]]][=Bandbezeichnung]] 00315757
[15w ] cd00338665
[20 Hauptsachtitel. Körperschaftliche Ergänzung : Zusatz] Landkino im Nationalsozialismus
[31 Schlagwörter, Thesaurusbegriffe] Kulturpolitik > Kulturförderung; Denkmalpolitik; Bibliothekspolitik
Filmpolitik > Kinopolitik; Filmförderung > Medienpolitik; Filmzensur
[37 Sprache(n) des Textes] Deutsch
[40 Hauptverfasser] Zimmermann, Clemens (JDG | GND)
[48 ] Zimmermann, Clemens: Landkino im
[70 Quelle (Zeitschriftentitel[ ; Band(Jahrgang)Heft, Seiten])] z00043
[704 Detaillierte Quellenangaben Band] 41
[708 Detaillierte Quellenangaben Seiten] 231-243
[76 Erscheinungsjahr] 2001
[90 [Standort]Signatur[ = Magazinsignatur]] O 19.05
[90a ] O 18.02
[92a ] J
[92c ] 15
[92d ] 14
[94 Verknüpfung zu externen Ressourcen] 2001
[94f ] jak
[94o ] 1a
[96 frei verwendbar (z.B. bibliotheksspezifische Daten)] ZA
[98 Abstract] This contribution examines a less well-known aspect of National Socialist propaganda and media policy, namely its introduction of films and cinemas into German rural society. The National Socialists were not only interested in establishing specific party proganda in small towns and rural villages as regular events, but also in a general medial pervasion of rural society - analogue to advertising for the radio - and in a constant mobilisation of the population through >>events<< and meetings. Moreover, a new market was to be opened up for the film industry. In general, the propaganda ministry' s efforts to provide the peasants and rural population with a regular , quite sophisticated cinema - one in part symbolically charged through a ceremonious framework - was impressive in its extent but altogether too ambitious to avoid general failure in reality. While successful in reaching a broad public outside the private theatres, the actual range films on offer and the level of demand remained below the expectations they themlves had raised. Demands and ways of absorbing motion pictures among the rural population were specific to them and could not be ignored. Neither was there any sucess in developing specific genres or subjects for the rural public. While open and subliminal propaganda seeped into this public, it ran up against a specially marked demand for entertainment. The films themselves may well have contributed to maintaining illusionary >>pleasant appearances<<, but the atmosphere in the National Socialist rural cinemas proved to be all the more sobering when the technical level of film presentation in the urban centres had considerably improved.
[99e Änderungsdatum] 20150304/16:58:29-27499/1355 oMS
[99K ] 20150305/08:56:08-46312/1834
[99n Zugangsdatum (Erfassungsdatum)] 20011123/09:59:28
[99w ] 20050803
[M0m ] Ehemals Datei 101